In Dresden, former Bauhaus tutor Mart Stam failed in his attempt to revive the Bauhaus by building or rebuilding an art school along the same lines. From spring 1948, he had taken over as both director of Dresden’s Public Academy of Applied Art and principal of the Dresden Academy of Fine Arts and wanted to merge the two institutions into one art school known as the “bauschule” which would combine a focus on architecture with a stronger emphasis on industrial and everyday culture.

Stam’s fellow professors and artists in Dresden, among them Hans and Lea Grundig, Wilhelm Lachnit and Eugen Hoffmann, were extremely resistant to the idea. Although he failed to establish a new school at the Hellerau Festival Theatre and thus build on the cultural legacy of the Bauhaus, he was able to attract new teachers affiliated with the Bauhaus such as Marianne Brandt and Hajo Rose. Stam’s activities in Dresden already ended in April 1950 when he transferred to the Weißensee Academy of Art Berlin.

Leaflet by Hajo Rose with a group of designers from the HfBK, 1951, Sammlung industrielle Gestaltung/Stiftung Haus der Geschichte der Bundesrepublik Deutschland © Rose, Hans-Joachim (Hajo) VG Bild-Kunst, Bonn [2022]
Leaflet by Hajo Rose with a group of designers from the HfBK, 1951, Sammlung industrielle Gestaltung/Stiftung Haus der Geschichte der Bundesrepublik Deutschland © Rose, Hans-Joachim (Hajo) VG Bild-Kunst, Bonn [2022]
Exhibition poster by Hajo Rose, 1951, Sammlung industrielle Gestaltung/Stiftung Haus der Geschichte der Bundesrepublik Deutschland © Rose, Hans-Joachim (Hajo) VG Bild-Kunst, Bonn [2022]
Hajo Rose in front of war-damaged academy, 1956, Museum for Applied Arts Gera Inv. MAK 07.0856.00
Exhibition poster by Hajo Rose, 1950, Museum for Applied Art Gera, Inv. MAK 07.0856.00© Rose, Hans-Joachim (Hajo) VG Bild-Kunst, Bonn [2022]