The second issue focuses on the diverse pedagogical approaches that trained the emergence of the new profession of artist and designer after the First World War and the further development of this profession in close proximity to capitalist industrial production.
CO EDITED BY Catherine Nichols
is an arts and literary scholar, curator and writer based in Berlin. She has curated a broad range of cultural history exhibitions at institutions across Germany on topics spanning from the Reformation to the passions, from the sun to sexuality. She has also mounted numerous monographic and thematic art exhibitions and has published widely on contemporary art as well as editing numerous catalogues and books. She recently curated Manifesta 14 Prishtina.